NOTES:
-- (Theme From) Happy Days arose when Kurt pointed up that he was using a "'50s guitar". there were jokes made that soon they'd be playing Rock Around The Clock. "isn't that the theme from Happy Days?" asked scott, to which robyn replied, "no, that's in A-Minor," and started into it. about 45 seconds, i guess.

--minus 5 rocked liked a f***ing magicus. the set included a spectacular cover of Green River, sung by john. they were also selling copies of their new record, *I Don't Know Who I Am*, subtitled *Let The War Against Music Begin, Vol. 2" and comprising songs recorded during the *Let The War Against* sessions. about as good as volume 1 and *Down With Wilco* -- which is to say, not very. how can it be that they're so dead-on in concert, and that their first three records are so bad-assed, but that they now can't record a decent record to save their lives?

-- funniest exchange:
robyn [looking for the correct pick]: i could've sworn i had...
scott: this doesn't really sound like a bass [peter had gone home sick after the minus 5's set].
robyn: roll everything off the top.
scott: yeah, i already did that.
robyn: oh, well, that's the only thing i know about recording.

A good show, but somehow the mood -- either his or ours -- seemed just a bit off to me.
I was also left sort of unsure what I thought at the end of that show.

me three. i'd also agree that the verbals (including the radio interviews) were engaging, interesting, and funny. but the acoustic set was almost sleep-inducing. so disappointing, in fact, were the night's proceedings, that when coupled with the disastrous pile of crapola that is *Luxor*, it would seem that robyn's career has entered a serious "downward spiral". speaking with cynthia on the ferry after the show, i wasn't terribly surprised to hear that she not only felt the same way, but that she had left the show early -- only to return after having missed the 12:45 sailing.

unfortunately, while the addition of the band livened things up *greatly* (Tarotplane was a revelation, and Give It To The Soft Boys was its heavy metal-est incarnation since '94 reunion tour), its set was cut shut by the 1:30 curfew. chalk that up to opener brandi carlile's set beginning at 10:00 -- the croc's normal music-start time, but they should've known that there'd be no way to get all the goods in with two opening acts and a 10:00 start.

i can only conclude that robyn can no longer carry a solo-acoustic tour. and when you think about it, despite all his anti-band talk since the dissolution of the egyptians, this was his first attempt since 1990 (and his first true solo tour since '95): '92 and '93 he toured with the egyptians; '94 and '95 included an electric set; '96 and '97 included both
an electric set, and the additions of deni bonet and tim keegan; '99 included the rock armada, '00 was the co-tour with grant-lee phillips; and'01 and '02 was with the soft boys.

interestingly, on the same day that robyn mailed in this performance, my beloved huskies got their asses handed to them 9,000 ways from sunday by a (then) 5-6 team, allowing a school-record 729 yards of total offense. about mid-way through the 3rd quarter, according to sideline reports, head coach keith gilbertson was reduced to pleading with the defense to "show some pride".

i'd offer the same advice to robyn: show some pride. approach your next record and tour as if you give a f**k. as if you've an investment in the material. if that's just too difficult for you, then at least play something other than the same songs that you've been playing live for ten years, or tour with a band, or throw in lots of electric guitar and/or piano. do *something* interesting. (i do think the idea of soliciting requests is a good one. maybe something like the '97 knitting factory or '88 mccabe's shows -- but for an entire tour -- would revive his career.)

KEN "The Good Lord can deceive everybody as surely as the Fallen Angel (but he does not choose to)" THE KENSTER [Eddie T.]