Max's review:
This is short because I got home at 4 last night.
Best hair day I have ever seen Robyn have in the 15 years I have been seeing him.
Half Cleaveland, which is half of Tin Huey was fantastic.
Deni sat in for about 6 songs in the first set.
Ira Kaplan sat in for about 6 songs in the second set.
Ira played drums on a very shabby Rock and Roll Toilet.
First set, he was wearing a shirt that looked like someone had vomited up some faux Mexican wallpaper on it.
Second set, lizard shirt.
He didn't play the requests of anyone I know.
I missed the cone, I think that there was one for each set.
He did Spanner.
It was 7 degrees outside after the show.
During the second set the people next to me got very drunk, loud and obnoxious...she couldn't sing at all...but boy did she.
Robyn Voice was shot by the end of the night.


From Mike H.:
hi,
i attended the maxwells early show last nite, it was a lot of fun. being a request gig, he really dragged out some old chestnuts, very enjoyable . might have been a little slow and off- putting for a first timer, but i really liked it.

my only regret is he brought along a telecaster, but didnt do anything great with it, just some muted chords . maybe he did more during the late show?


from Jon:
Well, I attended both sets this time. I have to say with regret that the intensity, quality, and je-ne-sais-quoi-ness level were not up to the very special Halloween show. I did have my hopes up, but this proved to be an average solo Robyn show, sloppy but enjoyable and livened up by the request format.

Despite the uneven performances, it was great to get to hear some of the unlikely songs trawled up by the requesters, stuff I'm sure none of us have ever heard him do live and never will again. He opened the first set with September Cones, for chrissake! (The song has grown a bridge, incidentally.) In fact, that was one of the more intense performances of the night-- the quality bar did seem to be higher for the obscurities, probably because he just relearned them and has them fresh in his fingers and voice.

The second set had a similarly haunting rendition of Skull, Suitcase, Bottle of WIne, the mood of which was initially spoiled by some guy losing his shit when he recognized the
first line. "WHOAAAHH! DAMN!! YES!!" the fellow roared, to the extent that Robyn interrupted the verse to say "come on, it's not THAT good."

I learned that given the chance to make requests, Robyn fans will largely stump for the RH Novelty Catalog. Spanner Ralph, Victorian Squid, Ted Woody and Junior, etc. The performance of Victorian Squid was great, especially in the weird "between the walnut and the fir" outro sequence. Moss Elixir came up aces this time-- Sinister but she was Happy and Filthy Bird (both with Deni) and You and Oblivion were all among the best performances of the night.

Robyn introduced You and Oblivion sincerely and unquirkily, saying it was a song about "an old friend who flipped and I didn't", and how at first, when Robyn was staying on the straight road and his friend was veering off onto the wrong path, he wasn't sure whether it was the other way round, with Robyn the one losing his mind and his friend the one keeping it together. He likened it to the moment the shuttle and the retrobooster split up, and at first you're unsure which one you're on. Other song intros were quirky indeed, but in the best way.

Whereas Halloween's excellent perfomances were accompanied by a lack of sparkly verbal Robynisms, last night the monologues were dead on. Ira Kaplan's contribution, on acoustic 12-string, to the latter half of the second set, was tentative and muted and didn't add much. They did Some Kinda Love and Ocean together, neither of which really jelled. Also Queen Of Eyes (which I don't need to hear live again for a few years, I think) and Love from the first solo album, which did come together beautifully with Ira singing along on the "Ahh Ahh Ahh Ahhhh"s of the chorus.

Speaking of Love, the cover surprise of the night for me was Andmoreagain. Robyn's rendition was great, especially his guitar playing and the way his middle-aged voice sank down low for the "cuz my things are mateeeerialllll" line. He mentioned meeting Arthur Lee when he sat in on a couple of songs at the Forever Changes concert in London, and said he and Arthur discussed Syd B. Syd apparently listened to Love a lot, and Robyn pointed out the similarity in Syd and Arthur's weird chromatic chord progressions before going into a so-so cover of Baby Lemonade.

Andmoreagain was one of many solo acoustic numbers Robyn played exclusively fingerstyle on. I first noticed this on a few songs at the Halloween show. Am I wrong or is fingerpicking a totally recent development for him? I'm sure I've never seen him do it before: it always jumps out at me when someone in a band does it since I myself am always vacillating between fingerstyle and flatpicking. It's really neat to see Robyn challenging himself at this stage and adding a new aspect to his already inimitable guitar language. Fingerstyle is really bringing a different sound to all those trademark moody arpeggios of his-- more twangy and with more variety of dynamic and texture between the notes.

If anyone posts the setlist from last night, I do remember specifically that in the first set, he didn't pick up a pick at all until Uncorrected Personality Traits (in its spiffy new strummy guise). In my continuing crusade for the recognition of Luxor as an A+ Robyn record as well as a new kind of sound for his catalog, I have to mention that Idonia was one of the two or three best performances of the night, along with Filthy Bird, Sept. Cones, You and Oblivion, Victorian Squid, and Andmoreagain.

Hair report: he's had a cut. The massive wings are gone. Or so it seemed-- by the end of the first set a miniature one was spreading wide off one side of his head as if to take flight. Meanwhile, Ira Kaplan right now resembles exactly a cross between Gilbert Gottfried and Eddie Murphy's Buckwheat. Back to Robyn's 'do, he mentioned having had it
temporarily dyed for his work in the Demme movie. Why do I keep hoping his role in that is going to be something similar to the evil drug dealer from Withnail and I? "If I medicine you, my friend, you'll know you have been spoken to." "Hair are our aerials, man..." Okay, I'll stop now, after finishing off with a list off the top o' me head of other songs he did... Arms of Love and Driving Aloud, both with Deni. Rock n' Roll Toilet, with Ira making a grand old mess on drums and the whole audience singing along. Clean Steve. Ghost in You. Staying Alive, to close the last encore. De Chirico Street with Deni \(limp). Solpadeine (without the pharmaceutical exigesis). Penelope's Angles (with nicely exaggerated baritone. The majority of the audience not knowing Luxor, the "yam" business drew big laughs. Same with Ted Woody and Junior later on). I Feel Beautiful (with lots of wrong
chords. C'mon dude, this one's sposed to be for your lady!!) 1974 (the Syd/Roger line cracking the whole place up). A Man's Got to Know His Limitations, Briggs (which is already getting annoying). Man with a Woman's Shadow (very sultry and nice). Okay, I admit both shows were great fun. But the Halloween ones were somehow more than fun, which is why I'm just slightly disappointed. Now I'll hope for another Rock Armada-like tour.