What a difference a week makes. Last week Robyn was distant, messing up several guitar intros and generally looking like he wished he was elsewhere. This week he looked like he'd rather be nowhere
else but the stage of the 12 Bar. Jumping on stage in plain purple shirt, and the return of the green jeans, he strummed his acoustic and slowly counted in 5...4...3...2...1...I DREAM OF ANTWOMAN taken
at a nice gentle pace. Then "this had lots of verses, then I pruned alternate verses" DE CHIRICO STREET sounding good. Hitting his stride, EACH OF HER SILVER WANDS hit home like never before, preceded by a rant about how the UK was being destroyed by the forces of Conservatism - upper class yobs controlling lower class yobs. On with the harmonica holder (whatever you call those things) and a story about how you need to do more than just practice the mouth harp; you need to lie in bed wearing harp & holder with glycerine dripping into your mouth. Then into SERPENT AT THE GATES OF WISDOM followed by ONE LONG PAIR OF EYES played like it had been written that morning with Robyn still wondering at its beauty. "This song was written in the same key as that last one, but has a completely different mood" and next up was BEAUTIFUL GIRL sung with a big grin like he'd just rediscovered love. "If you miss someone too much you turn into them... though it doesn't seem to work for the Christian Church" and I"M ONLY YOU with it's gorgeous guitar denouement. Then the new I DON'T REMEMBER GUILDFORD sounding like it'll be one of the highspots of the next album; and closing the acoustic set a "song about a fragile place" - GLASS HOTEL. On with the electric and the first few chords of I AM NOT ME, stopped as Robyn asked if we minded if he "cranked it up a bit."

Getting a pretty positive response, up went the amp to 11 and I AM NOT ME got a sound thrashing. Next up was "YOU AND OBLIVION" and its death trains, followed by "A song I wrote in the piano in
1982," I OFTEN DREAM OF TRAINS with the electric guitar and the "Baby" cries at the end fading into oblivion as we hung on in silence until the very last note."I wrote that in 1982 on the piano" said Robyn (again) "and I wrote this in 1988." FREEZE rocked as never before to finish off the main set. Encore time: white shirt and back to the acoustic. FEELS LIKE 1974 and then back on with the harp for what sounded like it was going to be Only The Stones Remain but became MY FAVOURITE BUILDINGS complete with the fake showbiz "Thankyou Thankyous" and manic grins. This time there was also a duff chord which inspire Robyn into some bizarre story about invisible mooses (meese ? moosen ?) as he felt there was "several pounds worth of encore to go, and it shouldn't be spoilt by me not remembering the right chord" and the a gorgeous THE LEOPARD complete with a "go tell Jack Nicholson, this time it must be....love" line. "None of these (encore) songs are on my new album, though they will all be on old ones or the next one. So if you don't like any of them, buy the new one" finishing with LET'S GO THUNDERING by which time we all felt too struck by lightning to demand any more.

Sorry if that went on a bit, but it was one of the best solo shows I've seen him do. I can recommend RS Isopropanol Cleaning Solvent as an inspiration to reviewing if anyone's doing next week's show (it's OK, I have a valid work use for the stuff, it's just that the ventilation here isn't as good as it could be...) Or the 12 Bar Fantasy Lasagne if you prefer reviewing on a full stomach. Just don't fall for the extra-salt-in-the-free-peanuts trick.

I'm off for a lie down.

Jonathan.