See Emily Play Releases Gigs Lyrics Comments

Details

Author
Syd Barrett
Original Band
Pink Floyd
Performances
17

Releases

Title Artist Label Type Year
Patreon 2023 Robyn Hitchcock Internet 2023

Gigs

Billed As Venue City State Country Date
Robyn Hitchcock The Three Kings London England UK 12/16/2006
Robyn Hitchcock The Three Kings London England UK 12/17/2006
Robyn Hitchcock & the Venus 3 Carling Academy London England UK 01/11/2007
Robyn Hitchcock & the Venus 3 Fleece and Firkin Bristol England UK 01/12/2007
Robyn Hitchcock & the Venus 3 TT the Bear's Cambridge Massachusetts US 03/30/2007
Robyn Hitchcock & the Venus 3 Doug Fir Lounge Portland Oregon US 04/07/2007
Robyn Hitchcock & the Venus 3 Spaceland Los Angeles California US 04/12/2007
Robyn Hitchcock & the Venus 3 Club Congress Tucson Arizona US 04/14/2007
Robyn Hitchcock Southbank Centre - Queen Elizabeth Hall London England UK 05/26/2007
Robyn Hitchcock & the Venus 3 Handelsbeurs Gent Belgium 06/09/2007
Robyn Hitchcock & the Venus 3 Tivoli de Helling Utrecht Netherlands 06/11/2007
Robyn Hitchcock The Three Kings London England UK 06/30/2007
Robyn Hitchcock Triple Door Seattle Washington US 11/29/2007
Robyn Hitchcock Robyn & Emma's house Nashville Tennessee US 06/20/2020
Robyn Hitchcock Robyn and Emma's house London England UK 08/22/2021
Robyn Hitchcock The Chapel San Francisco California US 01/06/2024
Robyn Hitchcock The Merri Creek Tavern Melbourne Victoria Australia 03/10/2024

Comments

From Robyn on Patreon in 2023
This was Syd Barrett’s zenith and possibly the start of his downfall: he actually wrote a Top Twenty hit. He and the rest of Pink Floyd were pop stars - rock gods hadn’t quite been invented in mid-1967. I missed their Top of The Pops appearances, with Barrett apparently turning up wearing increasingly ragged clothes week by week. He didn’t seem to respect himself as a pop star - yet as his mental breakdown continued he looked ever more glorious, with crushed velvet trousers and eyeliner, well ahead of the glam curve.

All I knew at the time was that on the rare occasions I heard this song, I loved it. It’s sad, exhilarating, enchanted - made you want to spin around and around until you were dizzy and fell over, in a spooky forest somewhere. The essence of 1967, then as now.

The original was a new peak in production - with what used to be called ‘sound effects’ blossoming through every available gap in the music: young, psychedelicised minds carefully recorded by straight and sober EMI engineers. So I just want to see how this and other beauties from that sacred era sound on two acoustics with not much else going on. More to follow on my “1967” album - you’re hearing it here first…