Robyn and Eugene Mirman had a conversation on stage after the set

Online review by StarTribune
Two songs into his solo-acoustic performance Sunday at the Varsity Theater, Robyn Hitchcock announced that all the numbers on his set list would be love songs. He wasn't kidding, either. As he proceeded to play “The Wreck of Arthur Lee” and “Museum of Sex” for his next pair of tunes, though, it quickly became apparent that Hitchcock’s idea of romantic songwriting sure does stray far from conventional wisdom.

“This is a love song about where babies come from,” the British alt-folkie, 60, said later on while introducing “Ole Tarantula.” He added, “Actually, it’s about love and fear of where babies come from.”

More than 30 years since he ended his run with the Soft Boys on his way to cranking out 19 widely varied solo albums, Hitchcock is as eccentric and indefinable as ever. He challenged his audience again on Sunday, skipping a lot of his best-known songs and sticking with the aforementioned theme, as hard as it was to follow.

Sunday’s crowd had it pretty easy, otherwise, with only a half-full club and plenty of room for tables and chairs scattered about the place. Is there a more comfortable venue in town than the Varsity when it’s set-up cabaret-style like that?

Even in the night’s most outlandish and peculiar songs – “Aquarium” and “Sometimes a Blonde” were especially broad in scope (and ultimately boring) -- Hitchcock’s soothed-sand voice had its own comforting familiarity. “Wax Doll” and “She Doesn’t Exist” both sounded all the more elegant unplugged, and “My Wife & My Dead Wife” turned into the oddball highlight of the 105-minute set. Then came a thoroughly enticing “encore” (he didn’t actually leave the stage) filled with a trio of deep-cut covers by Bob Dylan, Townes Van Zandt and Ray Davies -- songwriters' songwriters. If his record nerdy-crowd didn’t love the show by then, then they at least must’ve found true love in the end.

The show’s ending was most bizarre of all: Hitchcock brought out opening comic Eugene Mirman, and the two just sort of shot the schtick for 20 minutes, talking about everything from Minneapolis’s old street cars to Lids, the store with duplicate Mall of America locations featuring nothing but baseball caps in it (Miram brought it up, and Hitchcock seemed fascinated).

About the only funny part of the free-ramble came when a fan asked Hitchcock where he got his boots. “It’s where all the rockers get their boots,” he said, mentioning that Peter Buck and KT Tunstall are also clients of the place. But then he added, “One of my toes is kind of cramped, which [proves] I’m not really a rocker, and more of a folkie.”

Online review by Mark My Words
In September, the night after I saw Tom Rush, I went to see Robyn Hitchcock at the Varsity Theater in Minneapolis. I’ve seen Robyn several times before, at the Varsity, at the Dakota, and on “Wits.” Like last year’s show at the Dakota, this was a solo show. Robyn put on a wonderful show, as always. But the real highlight for me was before the show. I was eating dinner at the Loring Pasta Bar with my wife and my Mom, just down the block from the Varsity. We were sitting outside, as it was a lovely evening. I looked up and who was walking down the street towards me? Robyn Hitchcock! I said hi to him, shook hands with him and told him we were about to see his concert. Robyn said that we had to make sure we saw Eugene Mirman, the comedian who was opening for him, because “Without Eugene the show won’t make sense.” We also ran into Robyn on our way from the restaurant to the Varsity, and I was standing next to Robyn as he took a picture of the Varsity’s marquee. “Not often you get to see your name up in lights” Robyn said to me. I stupidly didn’t think to get my picture taken with Robyn, unfortunately. But it was pretty cool to have a couple of moments with Robyn before the show.

The Varsity was a fantastic place to see Robyn. I hadn’t been in the Varsity since they remodeled it, and it’s better than ever. It was very comfortable; we had our own table, so it was like seeing Robyn at a jazz club. But honestly, this wasn’t my favorite Robyn show I’ve seen. I’m a pretty hardcore Robyn fan, but there were a lot of songs I didn’t recognize. I was like, “What album is this one from?” Of course, Robyn doesn’t have many “hits” like other artists do, so he has more freedom to dig deeply into his back catalogue. There were also too many songs that sounded too similar to each other, I needed a little more variety. I was also a little disappointed that Robyn didn’t play anything from this year’s “Love From London” album, as I think it’s a fantastic collection of songs. (I reviewed the album, in painstaking detail, here.) But that being said, there were many lovely moments, like “The Wreck of the Arthur Lee,” which is a great Hitchcock song. And Robyn did play “Museum of Sex,” which is one of my personal favorites of his. Honestly, I love the “Ole! Tarantula” album so much that I’d love to hear Robyn play all of those songs. Robyn also did a lovely version of the hypnotic “Queen Elvis,” which was a request from a very inebriated female fan. After “Queen Elvis” is when the songs started sounding too similar for me. I also got to hear Robyn sing “My Wife and My Dead Wife,” which I’ve never heard him sing before. In an interview with “Time” magazine from earlier this year, Robyn said: “I would love to never play ‘Balloon Man’ or ‘My Wife and My Dead Wife’ again.” Huh. Robyn closed his set with two great songs from “Ole! Tarantula”: “Adventure Rocket Ship” and “Ole! Tarantula.” As usual, Robyn’s guitar playing was excellent throughout the show, although he told fewer stories during the concert than he has in the past. For the encore, he sang three covers, my favorite being The Kinks’ “Fancy.” Robyn then closed with “I’m Only You,” complete with the amazing guitar playing that always highlights his live versions of this song.

After Robyn was done, he and Eugene came back out and bantered for about 15-20 minutes, telling funny stories and making each other laugh. Robyn was very funny, as was Eugene, and Robyn brought back a story he had told at the “Wits” taping earlier this year about things invading from Canada. I’ve always thought that Robyn Hitchcock would make an excellent stand-up comic, and this encore was the closest he’ll probably come to that. It’s always fun to see Robyn, and it’s obvious that he likes the Twin Cities a lot, since he’s come here three times in the last 12 months. This show was a little odd because he didn’t play anything from “Love From London,” and there wasn’t even a merch table to buy any of his CD’s! He must really like it here.